From a turn-of-the-century transgender advocate (Alicia Vikander in The Danish Girl) to two ’50s-era lesbian lovers (Cate Blanchett and Rooney Mara in Carol), from a feral post-Civil War fugitive (Jennifer Jason Leigh in The Hateful Eight) to a ’90s mogul-in-the-making (Jennifer Lawrence in Joy), this year’s Oscar-nominated female roles offer up an unusual depth and breadth of female characters, constructs, eras, epochs, achievements – and ages.

Ranging from 21-year-old Saoirse Ronan to 70-year-old Charlotte Rampling, the 10 nominees for lead and supporting actress span a staggering five decades. That is astonishing, given Hollywood’s notorious age bias.

“This is a big year in film for women,” says Elizabeth Saltzman, stylist to Irish ingenue Ronan, nominated for her performance in Brooklyn. “There’s a lot of really positive diversity. Last year, we caught a glimpse of it when we saw Jane Fonda step back out there,” she says of the 78-year-old, who kicked off a stellar 2015 red carpet season with a Balmain jumpsuit at the Grammy Awards.

This year’s comeback stories include supporting actress nominee Leigh, 54, who is back with a vengeance thanks to her demonic The Hateful Eight character Daisy Domergue, and lead actress nominee Charlotte Rampling, who gives arguably the performance of her career in 45 Years. And it’s not just the ladies who are enjoying a later-in-life renaissance.

Actress Charlotte Rampling arrives at the Vanity Fair Oscar Party in Beverly Hills, California February 29, 2016. REUTERS/Danny Moloshok

Actress Charlotte Rampling arrives at the Vanity Fair Oscar Party in Beverly Hills.

“Look at Sylvester Stallone finally winning,” says Saltzman of the Creed star, 69, who took home the Golden Globe for supporting actor, four decades after receiving his first and only Globes nomination for Rocky in 1977.

“What’s so nice about this year’s red carpet, and the type of roles these women are playing, is to see the range,” says Cristina Ehrlich, stylist to lead actress nominee Brie Larson, 26, who’s already bagged Golden Globe, Critics’ Choice and SAG awards for her riveting role in Room. “It’s a really interesting opportunity to see how women throughout the different stages of their lives use the whole understanding of what beauty is in the way that they dress and express themselves. There’s so much strength to the roles, and different shades to who they are, and (as a result), the categories this year are very strong and very exciting.”

“There’s a lot of powerful women in Hollywood right now,” says Saltzman. “Even designers. Look at Stella McCartney and Victoria Beckham – both mothers of four. Heck, if this isn’t the decade of the woman, I don’t know what is!”

But for a young star especially, the scrutiny of the red carpet can either be incredibly stressful or very liberating, says Ehrlich.

“You can watch this arc and evolution of how Jennifer Lawrence looked three years ago and how she looks today,” she says. “They grow up on the red carpet.”

Jennifer Jason Leigh, nominated for Best Supporting Actress for her role in The Hateful Eight.

Jennifer Jason Leigh, nominated for Best Supporting Actress for her role in The Hateful Eight.

For any young actress “who gets catapulted into this type of attention,” she really needs to lean on her team for suport, notes Ehrlich.

“Brie has a lot of peers and friends in the industry who have gone through this moment themselves, and she’s been able to enjoy that support,” she says. To wit, when dressing Larson for the red carpet, Ehrlich chose to counterbalance the serious subject matter of Room with dresses that spoke to her sunnier side.

“We wanted to evoke a lot of light, because the movie is heavy and the character is in confinement, and it comes through with the all gold beading of the Calvin (Klein at the Golden Globes) and the ethereal blue of the (Atelier) Versace at the SAG Awards,” says Ehrlich.

epa05186778 A handout image provided by the Academy of Motion Picture Arts and Science (AMPAS) shows Alicia Vikander accepting the Oscar for Best Supporting Actress for The Danish Girl during the live ABC Telecast of the 88th annual Academy Awards ceremony at the Dolby Theatre in Hollywood, California, USA, 28 February 2016. The Oscars were presented for outstanding individual or collective efforts in 24 categories in filmmaking. EPA/MARK SUBAN / AMPAS / HANDOUT THE IMAGE MAY NOT BE ALTERED AND IS FREE FOR EDITORIAL USE ONY IN REPORTING ABOUT THE EVENT. ONE TIME USE ONLY. MANDATORY CREDIT. HANDOUT EDITORIAL USE ONLY/NO SALES/NO ARCHIVES

Alicia Vikander accepting the Oscar for Best Supporting Actress for The Danish Girl. Photo: EPA

“The Versace showed people that she’s not just an American sweetheart – she can also be very glam and very sexy.”

Travelling throughout the awards season circuit, Ehrlich has also been struck by a new era of solidarity and support among women, personified by longtime collaborators Tina Fey and Amy Poehler, who co-hosted the Golden Globes from 2013 to 2015.

“To see two colleagues get up on stage together and do that whole thing was really fresh,” says Ehrlich. “It was a very strong representation of women working together.

“I’ve been through this awards season many, many times,” she adds, “And this year in particular feels very positive. It’s beautiful to watch how these women interact with one another–there’s an authentic and genuine camaraderie amongst them.”

Saoirse Ronan, nominated for Best Actress for her role in Brooklyn, arrives at the 88th Academy Awards.

Saoirse Ronan, nominated for Best Actress for her role in Brooklyn, arrives at the 88th Academy Awards.

Has the fashion world caught up with this new, more inclusive, more collaborative red carpet?

“Yes, I think it has,” says Saltzman. “There’s plenty of choice for everyone. You have so many incredible designers who cater to everybody now.”

Actress Rooney Mara arrives at the Vanity Fair Oscar Party.

Actress Rooney Mara arrives at the Vanity Fair Oscar Party.

Case in point: both Ronan and Fonda wore Yves Saint Laurent Couture to the Globes – despite their 57-year age difference.

“It’s the coolest story you could tell,” says Saltzman. “We had Saoirse in YSL, and they came to me and said, ‘We know you want to be the only one (in YSL Couture), but (then) Jane came to us.’

And I said, ‘Perfect – both ends of the spectrum.’ It’s such a great double-edged sword – one side of it’s Jane; one side of it’s Saoirse; and they go together beautifully.” – Reuters